000			03244cam a2200445 i 4500
001			21443555
003			EG-ScBUE
005			20230516101557.0
008			200221t2020 enka f b 001 0 eng d
020			_a9780500204566
020			_a050020456X
035			_a(OCoLC)on1180159874
040			_aUKMGB _beng _erda _cUKMGB _dOCLCO _dOCLCF _dIND _dYDX _dBDX _dERASA _dNZAUC _dOKR _dU@M _dOCLCO _dOCL _dCIA _dJTH _dVFL _dDLC _dEG-ScBUE
082	0	4	_a704.042 _222 _bCHA
100	1		_aChadwick, Whitney, _eauthor.
245	1	0	_aWomen, art, and society / _cWhitney Chadwick.
250			_aSixth edition.
264		1	_aLondon : _bThames & Hudson, _c[2020]
264		4	_c©2020
300			_a599 pages : _billustrations (chiefly colour) ; _c21 cm.
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	0		_aWorld of art
500			_aPrevious edition: 2012.
504			_aIncludes bibliographical references and index.
505	0		_aArt history and the woman artist -- The Middle Ages -- The Renaissance ideal -- The other Renaissance -- Domestic genres and women painters in Northern Europe -- Amateurs and academics : a new ideology of femininity in France and England -- Sex, class, and power in Victorian England -- Toward utopia : moral reform and American art in the nineteenth century -- Separate but unequal : woman's sphere and the new art -- Modernism, abstraction, and the new woman -- Modernist representation : the female body -- Gender, race, and modernism after the second World War -- Feminist art in North America and Great Britain -- New directions : a partial overview -- Worlds together, worlds apart -- A place to grow : personal visions, global concerns -- The enduring legacy of feminism -- Epilogue.
520	8		_aWhitney Chadwick's acclaimed study challenges the assumption that great women artists are exceptions to the rule, who 'transcended' their sex to produce major works of art. While acknowledging the many women whose contribution to visual culture since the Middle Ages have often been neglected, Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class and sexuality. With a new preface and epilogue from an exciting new authority on the history of women artists, this revised edition continues the project of charting the evolution of feminist art history and pedagogy in recent years, revealing how artists have responded to new strategies of feminism for the current moment.
650		7	_aWomen artists _xHistory. _2BUEsh
650		7	_aWomen artists _xSocial conditions. _2BUEsh
650		7	_aFeminism and art. _2BUEsh
650		7	_aWomen in art. _2BUEsh
650		7	_aArt and society. _2BUEsh
653			_bART _cMay2023
655			_vReading book
906			_a7 _bcbc _ccopycat _d2 _encip _f20 _gy-gencatlg
942			_2ddc _cBB
999			_c30400 _d30371