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008			200617r20222021enka f b 000 0deng d
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020			_a0500023840
035			_a(OCoLC)on1222807051
040			_aUKMGB _beng _erda _cUKMGB _dOCLCO _dOCLCF _dYDX _dTOH _dERASA _dYDX _dGZN _dOCLCO _dSINLB _dAUW _dUND _dOCLCO _dNJR _dOCLCO _dDLC _dEG-ScBUE
082	0	4	_a704.042 _222 _bNOC
100	1		_aNochlin, Linda, _eauthor.
245	1	0	_aWhy have there been no great women artists? / _cLinda Nochlin ; introduction by Catherine Grant.
250			_aReprinted edition.
250			_afifty anniversary edition.
264		1	_aLondon ; _aNew York : _bThames & Hudson, _c2022.
300			_a111 pages : _billustrations ; _c19 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references.
505	0		_aIntroduction / by Catherine Grant -- Why have there been no great women artists? -- "Why have there been no great women artists?" Thirty years after -- Notes -- Further reading -- Picture credits.
520			_a"The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory--published together with author Linda Nochlin's reflections three decades later. Many scholars have called Linda Nochlin's seminal essay on women artists the first real attempt at a feminist history of art. In her revolutionary essay, Nochlin refused to answer the question of why there had been no 'great women artists' on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art. With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world's institutions in order to rebuild them anew. In this stand-alone anniversary edition, Nochlin's essay is published alongside its reappraisal, 'Thirty Years After.' Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, 'Thirty Years After' is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. 'Why Have There Been No Great Women Artists?' has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin's message could not be more urgent: as she put it in 2015, 'There is still a long way to go.' 13 black-and-white illustrations" -- Amazon.
650		7	_aFeminism and art _xHistory. _2BUEsh
650		7	_aWomen artists _xHistory. _2BUEsh
650		7	_aCreative ability in women. _2BUEsh
650		7	_aArt _xHistoriography _xHistory. _2BUEsh
650		7	_aMale domination (Social structure) _2BUEsh
653			_bART _cApril2023
655			_vReading book
700	1		_aGrant, Catherine _q(Catherine Mary), _ewriter of introduction.
906			_a7 _bcbc _ccopycat _d2 _eepcn _f20 _gy-gencatlg
942			_2ddc _cBB
999			_c30256 _d30227