000			02864cam a2200313 i 4500
999			_c28383 _d28354
001			19366694
003			EG-ScBUE
005			20200319125440.0
008			161107s2017 nyua f b 001 0 eng d
020			_a9781138945005 (pbk.)
040			_aDLC _beng _erda _cDLC _dDLC _dEG-ScBUE
082	0	4	_a791.430233 _bDIR _222
245	0	0	_aDirecting for the screen / _cedited by Anna Weinstein.
264		1	_aNew York ; _aMilton Park, Abingdon, Oxon : _bRoutledge, Taylor and Francis Group, _c2017.
300			_axvii, 271 pages : _billustrations ; _c24 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	0		_aPerform : succeeding as a creative professional
504			_aIncludes bibliographical references and index.
520			_aDirecting for the Screen is a collection of essays and interviews exploring the business of directing. This highly accessible guide to working in film and television includes perspectives from industry insiders on topics such as breaking in; developing and nurturing business relationships; the director’s responsibilities on set and in the field;and more. Directing for the Screen is an ideal companion to filmmaking classes, demystifying theindustry and the role of the director with real-world narratives and little-known truths about the business. With insight from working professionals, you’ll be armed with the information you need to pursue your career as a director. Contains essays by and interviews with television directors, feature directors, documentary filmmakers, commercial directors, producers, and professors. Offers expert opinions on how to get started, including landing and succeeding in aninternship and getting your first gig. Reveals details about working with actors, overseeing the work of often hundreds of crewmembers, writing last-minute on set, and developing a working relationship with producers and screenwriters. Explores strategies for doing creative work under pressure, finding your directorial voice, financing shorts and independent films, breaking down barriers and overcoming discrimination, shooting in less-than-ideal situations, and recovering from bad reviews or box office results. Illuminates the business of directing in the United States (New York and Los Angeles) as compared to other countries around the globe, including England, Ireland, Spain, Australia, Denmark, Pakistan, Belgium, and Canada.
650		7	_aMotion pictures _xProduction and direction _xVocational guidance. _2BUEsh
653			_bCOMAME _cMarch2020
655			_vText book _933728
700	1		_aWeinstein, Anna, _d1972- _eeditor.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cTXT