000 02240cam a22003135i 4500
999 _c28086
_d28057
001 20468432
003 EG-ScBUE
005 20200213160219.0
008 180406s2019 nyua f b 001 0 eng d
020 _a9780815368663
040 _aLBSOR/DLC
_beng
_erda
_cLBSOR
_dDLC
_dEG-ScBUE
043 _an-us---
082 0 4 _a384.5540973
_bBAS
_222
100 1 _aBasin, Ken,
_eauthor.
245 1 4 _aThe business of television /
_cKen Basin.
250 _aFirst edition.
264 1 _aNew York :
_bRoutledge / Taylor & Francis Group :
_bA Focal Press Book / Taylor & Francis Group,
_c2018.
300 _axxv, 293 pages :
_billustrations ;
_c24 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 0 _aThe life cycle of a television series -- The intellectual property context of television (or, when do you need to acquire underlying rights?) -- Underlying rights agreements -- Talent agreements -- Backend -- Exclusive studio-talent relationships -- Network and streaming licenses and studio co-production agreements -- Sample economic model -- Unscripted television.
520 _a"In this book, esteemed television executive and Harvard lecturer Ken Basin offers a comprehensive overview of the business, financial, and legal structure of the US television industry, as well as its dealmaking norms. Written for working or aspiring creative professionals who want to better understand the entertainment industry--as well as for executives, agents, managers and lawyers looking for a reference guide--The Business of Television presents a readable, in-depth introduction to rights and talent negotiations, intellectual property, backend deals, licensing, international production, and much more. The book also includes breakdowns after each chapter summarizing deal points and points of negotiation, a glossary, a list of referenced cases, and a wealth of real-world examples to help readers put the material into context"--
_cProvided by publisher.
650 7 _aTelevision broadcasting
_zUnited States.
_2BUEsh
653 _bCOMAME
_bBUSADM
_cFebruary2020
942 _2ddc
_cBB