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_c28031 _d28002 |
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| 001 | 13602199 | ||
| 003 | EG-ScBUE | ||
| 005 | 20200210114301.0 | ||
| 008 | 040517t20142014stka f b 001 0 eng d | ||
| 020 | _a0748640878 (paperback) | ||
| 020 | _a9780748640874 (paperback) | ||
| 035 | _a(OCoLC)ocn886518177 | ||
| 040 |
_aAU@ _beng _erda _cAU@ _dOCLCO _dUKMGB _dLTSCA _dBDX _dGZM _dDLC _dEG-ScBUE |
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| 082 | 0 | 4 |
_a791.456556 _bTUR _222 |
| 100 | 1 |
_aTurnbull, Sue, _d1950- _eauthor. |
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| 245 | 1 | 4 |
_aThe TV crime drama / _cSue Turnbull. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2014] |
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| 264 | 4 | _cc2014 | |
| 300 |
_a216 pages : _billustrations ; _c23 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 0 | _aTV genres | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aMachine generated contents note: 1.The Roots of Crime -- 2.Gritty Realism: The British Police Procedural -- 3.Quality Control: The American Police Procedural -- 4.The Detective as Hero -- 5.The Specialists -- 6.Women and Crime. | |
| 520 | _aMaps the development of crime drama on international television. As a genre, the television crime drama has long been a constant of the television landscape since it first migrated from film and radio onto the small screen in the 1950s. Since then, from Dixon of Dock Green to The Wire, from Minder to The Sopranos or Cracker to Dexter and The Killing, it has continued to attract large audiences even as the depiction of the crime, the perpetrators and the investigators may have changed. In order to track these changes, this book provides an historical analysis of the TV crime series as a genre by paying close attention not only to the nature of TV dramas themselves, but also to the context of production and reception. Rather than simply providing an overview, this book offers a series of case studies to illuminate key issues in the trajectory of the genre. Particular attention will be paid to the transnational career of the television crime drama, including the British and American product, as well as attention to crime drama series produced in other national contexts such as Europe and Australia. In terms of reception, this book includes original research on how the TV crime drama is perceived by audiences within the particular national context of Australia where American, British and European crime dramas vie for attention in the TV schedule alongside the local product. Finally, the future of the TV crime series is canvassed in a discussion of the changing television landscape and the shift to other forms of TV consumption enabled by new digital technologies. | ||
| 650 | 7 |
_aDetective and mystery television programs _xHistory and criticism. _2BUEsh |
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| 650 | 7 |
_aTelevision crime shows. _2BUEsh |
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| 653 |
_bCOMAME _cFebruary2020 |
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| 775 | 0 | 8 |
_iReproduction of (manisfestation) _tThe TV crime drama _dEdinburgh : Edinburgh University Press,[2014] _z9780748678181 _z9780748678204 |
| 856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy1412/2014432440-b.html |
| 856 | 4 | 1 |
_3Table of contents only _uhttp://www.loc.gov/catdir/enhancements/fy1412/2014432440-t.html |
| 856 | 4 | 2 |
_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy1412/2014432440-d.html |
| 942 |
_2ddc _cBB |
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