000			01649cam a22003135i 4500
999			_c27597 _d27568
001			016299356
003			EG-ScBUE
005			20190908144147.0
008			130228s2013 enk f b 001 0 eng d
020			_a9780415846660 (pbk.)
040			_aStDuBDS _beng _erda _cStDuBDS _dUk _dEG-ScBUE
082	0	4	_a822.33 _bNEV _222
100	1		_aNevo, Ruth, _eauthor.
245	1	0	_aComic transformations in Shakespeare / _cRuth Nevo.
264		1	_aAbingdon ; _aLondon : _bRoutledge / Taylor & Francis Group, _c2013.
300			_avi, 242 pages ; _c22 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	0		_aRoutledge library edition. _aShakespeare. _aComedies ; _vV
504			_aIncludes bibliographical references and index.
520			_aFirst published in 1980. In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night, the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed, and the emergence of new comic protagonists - the resourceful, anti-romantic romantic heroine and the Fool - as the summit of the achievement. The plays are explored from three complementary perspectives - theoretical, developmental and interpretative which lead to a further understanding of the powerful relation between the plays' formal compl.
600	1	7	_aShakespeare, William, _d1564-1616 _xComedies. _2BUEsh
600	1	7	_aShakespeare, William, _d1564-1616 _xCharacters _xComic characters. _2BUEsh
650		7	_aHumorous plays. _2BUEsh
653			_bHHUUEENN _cSeptember2019
655			_vReading book
942			_2ddc _cBB