MARC details
000 -LEADER |
fixed length control field |
03746nam a2200361 i 4500 |
001 - CONTROL NUMBER |
control field |
18033472 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
EG-ScBUE |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230511100846.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
140206s2014 enka f b 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780500291573 (paperback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0500291578 (paperback) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)ocn890828965 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
AU@ |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
AU@ |
Modifying agency |
OCLCO |
-- |
UKMGB |
-- |
BDX |
-- |
CDX |
-- |
UAB |
-- |
YDXCP |
-- |
NDD |
-- |
ERASA |
-- |
IUL |
-- |
VP@ |
-- |
NLGGC |
-- |
BKL |
-- |
YNK |
-- |
OCLCF |
-- |
JQM |
-- |
DLC |
-- |
EG-ScBUE |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
808.066 |
Edition number |
22 |
Item number |
WIL |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Williams, Gilda, |
Relator term |
author. |
245 10 - TITLE STATEMENT |
Title |
How to write about contemporary art / |
Statement of responsibility, etc |
Gilda Williams. |
264 #1 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
London ; |
-- |
New York, New York : |
Name of publisher, distributor, etc |
Thames & Hudson, |
Date of publication, distribution, etc |
2014. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
264 pages : |
Other physical details |
illustrations ; |
Dimensions |
21 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
500 ## - GENERAL NOTE |
General note |
"34 illustrations and 64 source texts." |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction. There is no single 'best' way to write about art ; 'International Art English' ; Anyone can learn to write competently about art -- The Job: Why Write About Contemporary Art?. Explaining v. evaluating ; Art-words and artworks ; Artist/dealer/curator/critic/blogger/'Kunstworker'/journalist/historian ; Out of the blue: where art-criticism came from ; Art-writing sans frontières -- The Practice: How to Write About Contemporary Art. 'Fear is the root of bad writing' ; How to substantiate your ideas ; The audience: grounding specialists and non-specialists ; Practical 'how-to's -- The Ropes: How to Write Contemporary Art Formats. How to write an academic essay ; 'Explaining' texts ; 'Evaluating' texts ; How to write an artist's statement ; Writing formats compared: one artist, many writers -- Conclusion: How to read about contemporary art ; Notes. |
520 ## - SUMMARY, ETC. |
Summary, etc |
How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs. In counselling the reader against common pitfalls such as jargon and poor structure, Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk. Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today.-- |
Assigning source |
Source other than Library of Congress. |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Art criticism |
General subdivision |
Authorship. |
Source of heading or term |
BUEsh |
653 ## - INDEX TERM--UNCONTROLLED |
Resource For college |
Arts and Design |
Arrived date list |
May2023 |
655 ## - INDEX TERM--GENRE/FORM |
Form subdivision |
Reading book |
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
a |
7 |
b |
cbc |
c |
copycat |
d |
2 |
e |
epcn |
f |
20 |
g |
y-gencatlg |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
Book - Borrowing |