A history of video art / (Record no. 20032)

MARC details
000 -LEADER
fixed length control field 03985cam a22003255a 4500
001 - CONTROL NUMBER
control field 17939622
003 - CONTROL NUMBER IDENTIFIER
control field EG-ScBUE
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220829104026.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 131113t2014 nyua f b 001 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780857851789
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Description conventions rda
Transcribing agency DLC
Modifying agency DLC
-- EG-ScBUE
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 700.904
Edition number 22
Item number MEI
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Meigh-Andrews, Chris,
Relator term author.
9 (RLIN) 39036
245 12 - TITLE STATEMENT
Title A history of video art /
Statement of responsibility, etc Chris Meigh-Andrews.
250 ## - EDITION STATEMENT
Edition statement Second edition.
264 #1 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc New York ;
-- London :
Name of publisher, distributor, etc Bloomsbury Publishing / Bloomsbury Academic,
Date of publication, distribution, etc [2014]
264 #4 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc c2014
300 ## - PHYSICAL DESCRIPTION
Extent 387 pages :
Other physical details illustrations (some color) ;
Dimensions 25 cm
336 ## - CONTENT TYPE
Source rdacontent
Content type term text
Content type code txt
337 ## - MEDIA TYPE
Source rdamedia
Media type term unmediated
Media type code n
338 ## - CARRIER TYPE
Source rdacarrier
Carrier type term volume
Carrier type code nc
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographical references and index.<br/>
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Machine generated contents note: -- Preface to the 2nd editionPart 1. The Origins of Video Art: The Historical and Cultural ContextChapter 1. In The Beginning: The Origins of Video ArtChapter 2. Crossing Boundaries: International Tendencies and Influences in Early Artists' VideoChapter 3. Technology, Access and Context: Social and Political Activists and Their Role in the Development of Video ArtChapter 4. Expanded Cinema: The Influence of Experimental, Avant-Garde and "Underground" FilmChapter 5. Musique Concrete, Fluxus and Tape Loops: The Influence of Sound Recording and Experimental Music on Artists' Video Chapter 6. Theory and Practice: The Impact of Theoretical Ideas on Early Technology-Based Practice in the 1970sChapter 7. Beyond the Lens: Abstract Video Imagery and Image ProcessingPart 2: A Discussion of Some Representative and Influential Video Art Works Set in Relation to Their Technological and Critical ContextChapter 8. In and Out of the Studio: The Advent of Inexpensive Non-Broadcast VideoChapter 9. Cutting It: Accessible Video EditingChapter 10. Mixing it: Electronic/Digital Image ManipulationChapter 11. The Gallery Opens its Doors: Video Installation and ProjectionChapter 12. The Ubiquity of the Video Image: Artists' Video as an International PhenomenonPart 3: The Development of Artists' Video and Installation in Response to Technological Change and AccessibilityChapter 13. Fields, Lines & Frames: Video as an Electronic MediumChapter 14. The Means of Production: Feminism, Race, Gender, Technology and AccessChapter 15. Off the Wall: Video Sculpture and Installation Chapter 16. Going Digital: The Emergence of Digital Video Editing, Processing and EffectsChapter 17.Video Art in the New Millennium: New Developments in Artists' Video since 2000 Part 4. References[bullet] Technical Glossary[bullet] Bibliography[bullet] Index.
520 ## - SUMMARY, ETC.
Summary, etc "A History of Video Art is a revised and expanded edition of the 2006 original, which extends the scope of the first edition, incorporating a wider range of artists and works from across the globe and explores and examines developments in the genre of artists' video from the mid 1990s up to the present day. In addition, the new edition expands and updates the discussion of theoretical concepts and ideas which underpin contemporary artists' video. Tracking the changing forms of video art in relation to the revolution in electronic and digital imaging that has taken place during the last 50 years, A History of Video Art orients video art in the wider art historical context, with particular reference to the shift from the structuralism of the late 1960s and early 1970s to the post-modernist concerns of the 1980s and early 1990s. The new edition also explores the implications of the internationalisation of artists' video in the period leading up to the new millennium and its concerns and preoccupations including post-colonialism, the post-medium condition and the impact and influence of the internet"--
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Video art.
Source of heading or term BUEsh
9 (RLIN) 39037
651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME
Source of heading or term BUEsh
653 ## - INDEX TERM--UNCONTROLLED
Resource For college Communication and mass media
Arrived date list June2015
-- January2016
655 ## - INDEX TERM--GENRE/FORM
Form subdivision Reading book
9 (RLIN) 34232
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Book - Borrowing
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Source of acquisition Cost, normal purchase price Serial Enumeration / chronology Total Checkouts Full call number Barcode Date last seen Cost, replacement price Koha item type
    Dewey Decimal Classification     Alahram Central Library Central Library Second Floor 29/06/2015 Purchase 274.00 308   700.904 MEI 000038870 11/06/2024 342.50 Book - Borrowing